Underground Sounds

Epitaph Catalog Sale

Epitaph Catalog Sale

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It's a foreboding time to make pop music. But like a sunbeam peering through a haze of wildfire smoke, Early Eyes have somehow persevered through dashed dreams, fractured relationships, historic social justice uprisings in their own hometown, and a society tearing apart at the seams to make an album that is both responsive to the chaos and wearily optimistic."It almost feels like Look Alive! Is a direct response to the pandemic," bandleader Jake Berglove reflects. "It was like, oh, my goodness, all of our capitalist anxieties just came true! We took all of that anxiety and angry energy and put it into making a really f*ed up album."Look Alive! #vibrates with angst, punctuated by computerized glitches and disintegrating threads of abandoned melodies that echo in the distance before roaring back to life. With the assistance of producers Caleb Hinz and Jake Luppen (of the band Hippo Campus), Early Eyes felt more liberated stylistically, and Look Alive! #looks ahead to a post-genre future where emo, post-hardcore, Japanese city pop, and musical theater can coexist peacefully on one album. "We ran with so many different influences," John says. "I mean, like, half the songs on the album just sound like a completely different band. We were just more unafraid to commit-like, alright, we're just going to make a punk song right now."Band is Jake Berglove (lead vocals/guitar), Joe Villano (guitar), John O'Brien (guitar), Sam Mathys (drums), and Megan Mahoney (bass)
Early Eyes - Look Alive!
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It's a foreboding time to make pop music. But like a sunbeam peering through a haze of wildfire smoke, Early Eyes have somehow persevered through dashed dreams, fractured relationships, historic social justice uprisings in their own hometown, and a society tearing apart at the seams to make an album that is both responsive to the chaos and wearily optimistic."It almost feels like Look Alive! Is a direct response to the pandemic," bandleader Jake Berglove reflects. "It was like, oh, my goodness, all of our capitalist anxieties just came true! We took all of that anxiety and angry energy and put it into making a really f*ed up album."Look Alive! #vibrates with angst, punctuated by computerized glitches and disintegrating threads of abandoned melodies that echo in the distance before roaring back to life. With the assistance of producers Caleb Hinz and Jake Luppen (of the band Hippo Campus), Early Eyes felt more liberated stylistically, and Look Alive! #looks ahead to a post-genre future where emo, post-hardcore, Japanese city pop, and musical theater can coexist peacefully on one album. "We ran with so many different influences," John says. "I mean, like, half the songs on the album just sound like a completely different band. We were just more unafraid to commit-like, alright, we're just going to make a punk song right now."Band is Jake Berglove (lead vocals/guitar), Joe Villano (guitar), John O'Brien (guitar), Sam Mathys (drums), and Megan Mahoney (bass)
Early Eyes - Look Alive! [LP]
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Every Time I Die

Radical

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EVERY TIME I DIE is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They’ve survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. ETID makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers.

The band’s ninth studio album, Radical, is 16 tracks of peak-ETID, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that “All This And War” featuring guest vocals by Josh Scogins from The ‘68 is absolute brutal heaviness is an understatement. It’s an addictive punch in the face, you’ll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track “Thing With Feathers” featuring Andy Hull from Manchester Orchestra.

Radical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant – and fiercely combative – of the present state of world affairs.

Every Time I Die - Radical
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2020 album from the surf punk band. Everything Seems Like Yesterday is the studio follow-up to their 2018 album Hypochondriac and the 2019 live release Live At The Observatory.

The Frights - Everything Seems Like Yesterday
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Hypochondriac, the third full-length album from San Diego band The Frights, is an album full of addictively catchy songs about fear and frustration. “I’ve gotten better with time, but I’m pretty paranoid about most things, especially health issues—I think everything’s killing me,” says Mikey Carnevale, vocalist/guitarist for The Frights. “That, mixed with anxiety, means that I can be a real baby. All of these songs address this in one way or another.” The album is their first full-length for Epitaph Records, who signed The Frights in early 2018. Produced by FIDLAR frontman Zac Carper, Hypochondriac follows The Frights’ 2016 album You Are Going To Hate This and marks a period of major creative growth for the band (which also includes bassist Richard Dotson, drummer Marc Finn, and guitarist Jordan Clark). “I wrote every song on an acoustic guitar, which is something I made a point to do,” says Carnevale. Throughout Hypochondriac, The Frights build a brilliant tension between their shiny hooks and painful lyrics, their goofball spirit and melancholy outlook. In the end, the album unfolds as their most emotionally honest work so far, just as the band intended it to be.

The Frights - Hypochondriac
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Vinyl LP pressing. 2020 album from the surf punk band. Everything Seems Like Yesterday is the studio follow-up to their 2018 album Hypochondriac and the 2019 live release Live At The Observatory.

The Frights - Everything Seems Like Yesterday [LP]
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2020 release. The band is known for their fast, punk-influenced two-piece bass and drum songs, with both their music and image being characterized by "DIY principles, thrift store-cum-glam fashion style and a vast list of influences." The brothers classify their sound as "vada vada," a philosophy which Wyatt Shears describes as "an idea that represents pure creative expression, that disregards all previously made genres and ideals".

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The Garden - Kiss My Super Bowl Ring
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In one of the most powerful comeback stories in recent history, THE GHOST INSIDE make a triumphant return the stage in Los Angeles at Shrine Expo, in 2019. With the 5000 capacity venue selling out in mere minutes, the show as moved to it’s parking lot, and selling over 8000 tickets by the end of on sale day. 

THE GHOST INSIDE will release Rise From The Ashes: Live At The Shrine via Epitaph Records. This live concert recording is from the band’s 2019 sold out comeback show in Los Angeles, CA in the parking lot of The Shrine.

On an early morning in November 2015, THE GHOST INSIDE was involved in an accident that claimed the lives of their driver, the lives of everyone in the other vehicle, and resulted in multiple injuries for all of the band members. Jonathan Vigil (vocals) suffered from a fractured back, ligament damage, and two broken ankles. Zach Johnson (guitar) has since had 13 surgeries for a femur injury. Andrew Tkaczyk (drums) ultimately lost his leg. The future of the band was very much up in the air throughout 2016, as everyone struggled to recover.

The road to recovery was both mentally and physically extensive but THE GHOST INSIDE were determined to get back to doing what they love. Nearly four years later, the band did just that, returning to the stage July 2019. Originally meant to take place at the historic Shrine Auditorium, tickets sold out so quick that the gig had to be moved to the parking lot, selling double the venues capacity. Over 8000 people witness this return to the stage. The accident will always be a defining moment for THE GHOST INSIDE, but never what defines them. 

The Ghost Inside - Rise From The Ashes: Live At The Shrine
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Vinyl LP pressing. 2020 release. The Ghost Inside is a Los Angeles-based hardcore band. They began as a group of friends in El Segundo, CA united by their shared passion for bands in the hardcore scene. The group stands for authenticity, dedication, perseverance and the most literal adherence to the core values behind their craft. Sonically, the group places equal emphasis on deeply personal vocals, urgent riffing and pile-driving breakdowns within the framework of their heavily melodic modern hardcore.

The Ghost Inside - The Ghost Inside [LP]
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For their Epitaph debut The Ghost Inside team with a Day to Remember's Jeremy McKinnon in the producer's chair to create an onslaught of blistering breakdowns matched with anthemic choruses.
The Ghost Inside - Get What You Give [LP]
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Hot Water Music. Those three words describe more than just a band at this point, they describe a way of life. Since forming in Florida in 1994, the act have constantly reinvented themselves by combining elements of punk rock and post-hardcore over the course of eight full-lengths, countless vinyl releases and energetic live shows. However instead of taking a victory lap in celebration of their current 25th anniversary tour –group marked the occasion by recording five new songs for the Shake Up The Shadows EP, which sees the band – guitarist/vocalists Chuck Ragan and Chris Wollard, bassist Jason Black and drummer George Rebelo – crafting some of the most impassioned music of their career. “Celebrating our 25th anniversary isn't self-congratulatory,” Ragan summarizes. “It's the band saying, 'Look at what all of us built and let's celebrate that.'”

Hot Water Music - Shake Up The Shadows EP [Vinyl]
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40 oz. to Fresno is the highly anticipated 6th studio album by Joyce Manor. Produced by Rob Schnapf, this 9 song album is an honest, hard-hitting, post-emo, power pop masterpiece packed with the elevated writing and earnest delivery Joyce Manor is loved for.

Joyce Manor has toured extensively and their live show has been the driver behind the band’s success. They have made festival appearances at FYF Fest, Coachella, Riot Fest and since the release of their last studio album in 2018, the band has headlined NYC Central Park SummerStage, sold out two nights at the Palladium in LA, and sold out two matinee show at LA’s historic Union Station.

Joyce Manor is a band from Torrance, CA consisting of Barry Johnson (vocals/guitar), Chase Knobbe (guitar), Matt Ebert (bass), Neil Hennessy (new drummer, from The Lawrence Arms). Johnson and Knobbe started the band in 2008 in the Disneyland parking lot, named after an apartment complex that Johnson would walk past every day. Joyce Manor made their debut as an acoustic two-piece. Quickly they learned that playing loud was much more fun and invited friends to join the lineup. The band has released five studio albums; Joyce Manor (2011), Of All Things I Will Soon Grow Tired (2012), Never Hungover Again (2014), Cody (2016), and Million Dollars to Kill Me (2018).

Joyce Manor - 40 Oz. To Fresno
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40 oz. to Fresno is the highly anticipated 6th studio album by Joyce Manor. Produced by Rob Schnapf, this 9 song album is an honest, hard-hitting, post-emo, power pop masterpiece packed with the elevated writing and earnest delivery Joyce Manor is loved for.

Joyce Manor has toured extensively and their live show has been the driver behind the band’s success. They have made festival appearances at FYF Fest, Coachella, Riot Fest and since the release of their last studio album in 2018, the band has headlined NYC Central Park SummerStage, sold out two nights at the Palladium in LA, and sold out two matinee show at LA’s historic Union Station.

Joyce Manor is a band from Torrance, CA consisting of Barry Johnson (vocals/guitar), Chase Knobbe (guitar), Matt Ebert (bass), Neil Hennessy (new drummer, from The Lawrence Arms). Johnson and Knobbe started the band in 2008 in the Disneyland parking lot, named after an apartment complex that Johnson would walk past every day. Joyce Manor made their debut as an acoustic two-piece. Quickly they learned that playing loud was much more fun and invited friends to join the lineup. The band has released five studio albums; Joyce Manor (2011), Of All Things I Will Soon Grow Tired (2012), Never Hungover Again (2014), Cody (2016), and Million Dollars to Kill Me (2018).

Joyce Manor - 40 Oz. To Fresno [LP]
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La Dispute

Panorama

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La Dispute is five close friends from the Upper Midwest with a firm passion for the concept of music and art as a medium for making new friends. As a result, La Dispute makes (or strives to make) music that is both artistically, technically, and emotionally engaging in hopes of establishing legitimate connections with any and all interested people, while encouraging dialogue between those people and themselves about things in life that truly matter and that truly last. La Dispute also carries a firm passion for the relevance of a live show, both for the bands involved and for the people in attendance, and will go to the grave believing that the environment created when strangers come together despite their differences to celebrate one important thing is invaluable and should not under any circumstances be taken for granted.

La Dispute - Panorama
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letlive.’s new album, If I’m the Devil…is a strident, principled and heavy work. It’s also perfectly suited for someone who just wants to pound on the steering wheel after a hard day at school, work, or whatever institution happens to command most of your waking life. Just consider the name “letlive.” - it’s meant to be life-affirming above all else. If their new album, If I’m the Devil… needs a genre, Butler would call it “revolutionary counterculture music” , like a more emotional Rage Against the Machine, or Public Enemy with more inclusive politics. Butler grew up as a skater disillusioned with what he saw as a heteronormative, patriarchal punk rock scene until the older kids showed him black artists such as Bad Brains, Living Colour and Fishbone. “Punk rock is inclusive if you want to be included,” Butler states, recognizing how letlive. can speak for people who feel they lack representation.
letlive. - If I'm The Devil... [Vinyl]
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A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.’s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up.

The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.

When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.

A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the
band was more than ready to enter the studio where Mila and Lucia’s dad (and Eloise’s uncle and Bela’s “uncle”) Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.

The Linda Lindas - Growing Up
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A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.’s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up.

The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.

When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.

A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the band was more than ready to enter the studio where Mila and Lucia’s dad (and Eloise’s uncle and Bela’s “uncle”) Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.

The Linda Lindas - Growing Up [Indie Exclusive Limited Edition Clear w/ Blue-Pink Splatter LP]
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Most known for his role as songwriter and lead singer of punk rock band Pennywise, JIM LINDBERG has been making inspiring, thought-provoking music since the 1990’s. Musically, he is influenced by an array of genres from punk and folk music to old school country and americana. Lyrically, Jim takes inspiration anywhere from transcendental philosophers to real life events; seeking always to tell a story or find the answers to life’s big questions.

This acoustic solo project is the first from JIM LINDBERG. Produced and mixed by Tedd Hutt (Gaslight Anthem, Lucero, Dropkick Murphys) it’s full of heartfelt songs, some rousing some sentimental, that are a departure for Jim but will appeal to diehard Pennywise fans and fans of folky punk singers like Chuck Regan and Frank Turner.

Jim Lindberg - Songs from The Elkhorn Trail
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The Epitaph debut from pop punk upstarts, Magnolia Park. Contrary to what some may say, pop punk is alive and well in 2021, and groups like Magnolia Park are making sure it stays that way. Hailing from Orlando, Florida, Magnolia Park is a five-piece consisting of lead vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, bassist Jared Kay, and drummer Joe Horsham. In recent years, experimental sounds and more personal lyrics have dominated the pop punk scene. While staying true to the genre's roots, the members of Magnolia Park bring their own twist to the table with louder, angrier vocals and a fusion of genres ranging from hip-hop and emo to hardcore and alt rock.
Magnolia Park - Halloween Mixtape
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The Epitaph debut from pop punk upstarts, Magnolia Park. Contrary to what some may say, pop punk is alive and well in 2021, and groups like Magnolia Park are making sure it stays that way. Hailing from Orlando, Florida, Magnolia Park is a five-piece consisting of lead vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, bassist Jared Kay, and drummer Joe Horsham. In recent years, experimental sounds and more personal lyrics have dominated the pop punk scene. While staying true to the genre's roots, the members of Magnolia Park bring their own twist to the table with louder, angrier vocals and a fusion of genres ranging from hip-hop and emo to hardcore and alt rock.
Magnolia Park - Halloween Mixtape [LP]
$23.98
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Mannequin Pussy

Patience

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The third full-length from Mannequin Pussy, Patience is an album fascinated with the physical experience of the body, its songs tracking the movements of mouths and hands and racing hearts, skin and spit and teeth and blood. Deeply attuned to the power of their own physicality, the Philadelphia-based band channels complex emotion in blistering riffs, thrashing rhythms, vocals that feel as immediate and untamed as a gut reaction. But throughout Patience, the Philadelphia-based band contrasts that raw vitality with intricate melodies and finely detailed arrangements, building a strange and potent tension that makes the album all the more cathartic. The follow-up to Romantic—a 2016 release praised by Pitchfork for “combin[ing] punk, shoegaze, death metal, and more, with the ferocious push-pull energy of a mosh pit”—Patience came to life at Studio 4 in Conshohocken, Pennsylvania. In creating the album, Mannequin Pussy worked with producer/engineer Will Yip (Quicksand, The Menzingers), shaping an explosive sound that never overshadows the subtlety of their songwriting. “In the past there’s been a chaotic feeling to the recording process, but working with Will put us in a different headspace,” says Dabice. “It helped us show our progression over the past few years and make a very crisp-sounding record, without losing the dirtiness of what Mannequin Pussy really is.”

Mannequin Pussy - Patience
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On their EP entitled perfect, MANNEQUIN PUSSY’s new songs burst forth from the sprawling months of social isolation & internet-fueled anxiety. The band rages about the practice of condensing your daily life into a manicured stream of images for social media. What happens to the social impulse when everyone you love or even like is leveled into a set of pixels. “It was a really weird psychological experience, being bombarded by images of other people constantly when you are not around a lot of other people,” vocalist Missy Dabice says.

After spending most of the year 2020 apart from each other and everyone else, the members of MANNEQUIN PUSSY decided to book studio time and work together in person again. What came out of that compressed session time were some of MANNEQUIN PUSSY’s most furious, incandescent songs yet. The Philadelphia based band teams up yet again with producer Will Yip to satiate fans with perfect, the EP follow-up to their critically acclaimed 2019 Epitaph debut Patience (Pitchfork Best New Music, sold out US tour, and “one of the best rock releases of 2019” according to Paste Magazine). “We just figured if we forced ourselves into this situation where someone could hit ‘record,’ something might come out,” Dabice says. “We’d never written that way before.”

Mannequin Pussy - perfect EP [Yellow/Black Vinyl]
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The Menzingers drop their Epitaph debut, showcasing their high energy sound features crashing power chords, rock steady drumming and anthemic sing-along choruses alongside poetic salt of the earth lyrics in the vein of Against Me! And Gaslight Anthem.
The Menzingers - On the Impossible Past
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